Of Minimal Materialities And Maximal Amplitudes: A Provisional Manual Of Stroboscopic Noise Performance
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Authors
Author (Corporation)
Publication date
2013
Typ of student thesis
Course of study
Type
01A - Journal article
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Parent work
Leonardo Electronic Almanac
Special issue
DOI of the original publication
Series
Series number
Volume
19
Issue / Number
3
Pages / Duration
256-270
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Publisher / Publishing institution
MIT Press
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Abstract
The various techniques available to contemporary multimedia performers congeal, on occasion, into a set of related tools, techniques, and apparent motivations that one might characterize as a genre or scene. More often than not, in technologized audiovisual performance, these differentiable aesthetics and styles emerge with the introduction of a particular new media technology capability (see 'electronic music’ and 'computer music’ as examples of this). New tools beget new aesthetics and timbres, and software and hardware advances allow for more bits-per-second, more particles-per-frame, and more computing power-per-square-centimeter. Likewise and meanwhile, although more exceptionally, performance tools and styles also arise that are somewhat resistant to these vectors of technological progress.
Keywords
technology, sound, performance
Subject (DDC)
700 - Künste und Unterhaltung
Event
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ISBN
ISSN
1071-4391
Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
Review
Peer review of the complete publication
Open access category
License
Citation
ALLEN, Jamie, 2013. Of Minimal Materialities And Maximal Amplitudes: A Provisional Manual Of Stroboscopic Noise Performance. Leonardo Electronic Almanac. 2013. Bd. 19, Nr. 3, S. 256–270. DOI 10.26041/fhnw-4498. Verfügbar unter: https://doi.org/10.26041/fhnw-4498