'Counter-conscious’ Ways of Life

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Author (Corporation)
Publication date
2019
Typ of student thesis
Course of study
Type
04A - Book part
Editors
Willats, Stephen
Editor (Corporation)
Supervisor
Parent work
Artwork as Institution
Special issue
DOI of the original publication
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Series
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Volume
Issue / Number
Pages / Duration
5-7
Patent number
Publisher / Publishing institution
Brand-New-Life
Place of publication / Event location
Zürich
Edition
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Abstract
In his opening address to the symposium Art Creating Society at the Museum of Modern Art Oxford in 1990, Stephen Willats compelled participants and the audience to contribute their viewpoints on the development of a new vision for art, one that extends its social meaning beyond the institutional territory to which it has traditionally been confined. This statement is an example of his pronounced intention to have his artworks intervene into the functioning of society at large, developing models that provide both critical outlooks and promising perspectives. Willats’ approach is connected to the «interactive communication networks» he creates in contemporary art. He also creates a network between artists and others through the magazine Control he has been publishing since 1969. The magazine’s title should be read in the sense of «agency» and «interaction» and not in the authoritarian sense beloved of the critics of cybernetics, as historians like Andrew Pickering pointed out.
Keywords
institution, contemporary art, network
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ISBN
978-3-033-07267-l
ISSN
Language
English
Created during FHNW affiliation
Yes
Strategic action fields FHNW
Publication status
Published
Review
Peer review of the complete publication
Open access category
License
Citation
Allen, J., Garnicnig, B., & Kolb, L. (2019). ‘Counter-conscious’ Ways of Life. In S. Willats (Ed.), Artwork as Institution (pp. 5–7). Brand-New-Life. https://doi.org/10.26041/fhnw-4466