Music performance anxiety from the challenge and threat perspective: psychophysiological and performance outcomes

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Autor:innen
Studer, Regina
Guyon, Amélie
Hildebrandt, Horst
Horsch, Antje
Nater, Urs
Gomez, Patrick
Autor:in (Körperschaft)
Publikationsdatum
25.08.2020
Typ der Arbeit
Studiengang
Typ
01A - Beitrag in wissenschaftlicher Zeitschrift
Herausgeber:innen
Herausgeber:in (Körperschaft)
Betreuer:in
Übergeordnetes Werk
BMC Psychology
Themenheft
Link
Reihe / Serie
Reihennummer
Jahrgang / Band
8
Ausgabe / Nummer
87
Seiten / Dauer
1-13
Patentnummer
Verlag / Herausgebende Institution
BioMed Central
Verlagsort / Veranstaltungsort
Auflage
Version
Programmiersprache
Abtretungsempfänger:in
Praxispartner:in/Auftraggeber:in
Zusammenfassung
Background: Although many musicians perceive music performance anxiety (MPA) as a significant problem, studies about the psychobiological and performance-related concomitants of MPA are limited. Using the biopsychosocial model of challenge and threat as theoretical framework, we aim to investigate whether musicians’ changes in their psychobiological responses and performance quality from a private to a public performance are moderated by their general MPA level. According to the challenge and threat framework, individuals are in a threat state when the perceived demands of a performance situation outweigh the perceived resources, whereas they are in a challenge state when the perceived resources outweigh the perceived demands. The resources-demands differential (resources minus demands) and the cardiovascular challenge-threat index (sum of cardiac output and reverse scored total peripheral resistance) are the main indices of these states. We postulate that the relationship between general MPA level and performance quality is mediated by these challenge and threat measures. Methods: We will test 100 university music students reporting general MPA levels ranging from low to high. They will perform privately (i.e., without audience) and publicly (i.e., with an audience) on two separate days in counterbalanced order. During each performance session, we will record their cardiovascular and respiratory activity and collect saliva samples and self-reported measures. Measures of primary interest are self-reported anxiety, the resources-demands differential, the cardiovascular challenge-threat index, sigh rate, total respiratory variability, partial pressure of end-tidal carbon dioxide and the salivary biomarkers cortisol, dehydroepiandrosterone, and alpha-amylase. Both, the participants and anonymous experts will evaluate the performance quality from audio recordings. Discussion: The results of the planned project are expected to contribute to a more comprehensive understanding of the psychobiology of MPA and of the processes that influence musicians’ individual reactions to performance situations. We also anticipate the findings of this project to have important implications for the development and implementation of theory-based interventions aimed at managing musicians’ anxiety and improving performance quality. Thanks to the use of multimethod approaches incorporating psychobiology, it might be possible to better assess the progress and success of interventions and ultimately improve musicians’ chance to have a successful professional career.
Schlagwörter
Music performance anxiety, Biopsychosocial model, Challenge, Threat, Respiration, Cardiovascular activity, Salivary cortisol, Salivary dehydroepiandrosterone, Salivary alpha-amylase, Music performance quality
Fachgebiet (DDC)
100 - Philosophie und Psychologie
Projekt
Veranstaltung
Startdatum der Ausstellung
Enddatum der Ausstellung
Startdatum der Konferenz
Enddatum der Konferenz
Datum der letzten Prüfung
ISBN
ISSN
2050-7283
Sprache
Englisch
Während FHNW Zugehörigkeit erstellt
Ja
Zukunftsfelder FHNW
Publikationsstatus
Veröffentlicht
Begutachtung
Peer-Review der ganzen Publikation
Open Access-Status
Lizenz
'http://creativecommons.org/licenses/by-nc-nd/3.0/us/'
Zitation
STUDER, Regina, Amélie GUYON, Horst HILDEBRANDT, Antje HORSCH, Urs NATER und Patrick GOMEZ, 2020. Music performance anxiety from the challenge and threat perspective: psychophysiological and performance outcomes. BMC Psychology. 25 August 2020. Bd. 8, Nr. 87, S. 1–13. DOI 10.1186/s40359-020-00448-8. Verfügbar unter: https://doi.org/10.26041/fhnw-3642