Institute of Experimental Design and Media Cultures

Dauerhafte URI für die Sammlunghttps://irf.fhnw.ch/handle/11654/19

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2014 - 20173

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Dateien dazu vorhanden?: JaThema: search.filters.subject.artistic research

Ergebnisse nach Hochschule und Institut

Gerade angezeigt 1 - 4 von 4
  • Vorschaubild
    Publikation
    Times of Waste – Was übrig bleibt
    (Kunstgewerbemuseum der Staatlichen Museen Berlin) Bürgin, Mirjam; Deliss, Clémentine; Caviezel, Flavia
    Opening lecture by Clémentine Deliss Fragen on 'Transformationsprozessen bei der Erforschung von Sammlungsartefakten' and dialogical tour at the opening of Times of Waste – Was übrig bleibt, Kunstgewerbemuseum Berlin 24.1.20, in collaboration with Mirjam Bürgin and the museum team.
    13 - Ausstellung
  • Vorschaubild
    Publikation
    Media Labs – Medienlabore als gestalterische Experimentier- und Forschungsräume
    (Christoph Merian Verlag, 2017) Mareis, Claudia; Allen, Jamie; Langkilde, Kirsten
    The contribution deals with ongoing research projects and methods being employed at the Academy of Art and Design’s Critical Media Lab and puts them into the context of current Media-Lab discussions such as the recently launched initiative “What’s a Media Lab” by Darren Wershler, Jussi Parikka and Lori Emerson, or the recently published book “New Laboratories” (De Gruyter 2016) by Charlotte Klonk of the BWG Cluster of Excellence in Berlin. These discourses at the interface of scholarly, scientific-technical and, above all, artistic research, focus, on the one hand, on situated practices and methods of experimentation and, on the other, address the hybridization and problematization of disciplinary and institutional knowledge and production spaces.
    04A - Beitrag Sammelband
  • Vorschaubild
    Publikation
    Critical Infrastructure: A Peer-Reviewed Journal About
    (01.06.2014) Allen, Jamie
    The essay and ideas included here is a discussion of the topics raised through CRITICAL INFRASTRUCTURE, an artistic research and production residency that took place as part of the lead up to the transmediale festival, afterglow, 2014. The project’s initiation was about uncovering the resources and reserves of physical and material energies, signals and data that scaffold the very possibility of post-digital art-and-technology practices. Through a series of public workshops, and an installation project situated within the transmediale 2014 festival, CRITICAL INFRASTRUCTURE’s ‘post-digitality’ is not only historical-temporal, but immediate, and dredged up from below, in the present. The artistic project stemming from research and public events through the project creates a media-archaeological site-survey, revealing data and depth of the present moment of an art and technology festival.
    01A - Beitrag in wissenschaftlicher Zeitschrift
  • Vorschaubild
    Publikation
    Affective-responsive Environments
    (Zayed University Books, 2014) Torpus, Jan-Lewe
    This paper describes the concepts, media settings, strategies and methods of a media art work and an artistic research project. Both apply psychophysiological biofeedback technologies as affective interfaces between humans and artificial artistically-staged environments. The paper includes a comparison of media art creation with artistic research processes and intends to identify possible synergies.
    04B - Beitrag Konferenzschrift