Institute of Experimental Design and Media Cultures

Dauerhafte URI für die Sammlung

https://irf.fhnw.ch/handle/11654/19

Listen

Neueste Veröffentlichungen

Gerade angezeigt 1 - 5 von 619
  • Vorschaubild nicht verfügbar
    Publikation
    Of demons, geniuses, and the rat man
    (Routledge, 25.03.2011) Bruder, Johannes [in: Science as Culture]
    01A - Beitrag in wissenschaftlicher Zeitschrift
  • Vorschaubild
    Publikation
    Radio Explorations. Architectonic Studies of Electromagnetic Milieux
    (transcript, 2024) Savic, Selena
    Radio signals keep making material, informational, political, and social connections in this world. Exploring these signals architectonically, the contributors engage with the situatedness of radio signal recordings in nature and with knowledge implied in radio communication. Rooted in experimental design and data feminism, the book presents innovative tools for navigating data by spanning media theory, information studies, and feminist new materialism. This offers an intersectional and post-disciplinary approach to computation, classification, and search that is accessible to artists, technologists, and researchers – facilitating interdisciplinary collaboration and deepening the understanding of information technologies.
    03 - Sammelband
  • Vorschaubild nicht verfügbar
    Publikation
    Die Karte als Interface
    (Schüren, 03/2017) Schranz, Christine [in: Interaktive Medien: Interfaces - Netze - Virtuelle Welten]
    Digitale Karten und Kartendienste sind im Begriff, ubiquitär zu werden. Für den Paradigmenwechsel sind insbesondere Navigationsgeräte, GPS-Daten sowie Satellitenaufnahmen verantwortlich, welche neue Produkte und Technologien zum Repräsentieren und Produzieren der Welt hervorgebracht und dadurch die Ubiquität von Karten erst möglich gemacht haben. Die verstärkte Zuwendung zum Raum hat paradigmatisch die Karte als neues Interface hervorgebracht. Dabei stellen georeferenzierte Medien eine neue Raumordnung her, in welcher die Beziehung von Raum und Ort neu organisiert wird. In Bezug zu dieser Raumordnung sind die Interaktion und der Bezug von Mensch-Maschine ausschlaggebend. Ein weiterer Aspekt ist die Ästhetisierung von Benutzeroberflächen. Entlang eines Designdiskurses umreißt der Beitrag einflussreiche Tendenzen und Phänomene und beleuchtet zugleich Praxen aus einer historischen Perspektive.
    04A - Beitrag Sammelband
  • Vorschaubild
    Publikation
    MealSense: A fiction about datafication and algorithms in commoning food
    (Design Research Society, 06/2024) Bedö, Viktor [in: DRS2024: Boston]
    Commoning is on the rise as a socio-economic practice advancing the outlook of more just food systems. While smaller commoning operations can predominantly rely on informal arrangements, tracking and monitoring the conditions of the use of resources becomes vital for larger operations. This paper explores the datafication of hunger, pleasure, ingredients, cooking and spoiled food for crafting imaginaries of commoning-based algorithmic food futures. To address not only frictions around datafication but also gainful proposals, the paper mobilizes concepts of ‘unwieldy data’, ‘good enough data’, and ‘minimal feasible datafication’. It uses fiction writing as a method to amalgamate scholarly references in the field of citizen sensing and smart city critique with preliminary learnings from a speculative city-making project into an infrastructural proposal. The text aims to prompt a wider debate about the potentials and pitfalls of algorithmic governance and datafication in infrastructures for the urban-scale distribution of material resources, such as food.
    05 - Forschungs- oder Arbeitsbericht
  • Vorschaubild nicht verfügbar
    Publikation
    OM
    (Bloomsbury Academic, 01.12.2023) Chattopadhyay, Budhaditya; Herzogenrath, Bernd [in: A sound word almanac]
    This almanac of sound words important to artists and scholars highlights words that expand the way we speak (and write) about sonic experiences. Why write about sound, and how? If sonic philosophy is the attempt "to think about sound by philosophical means," then a metaphilosophical debate appears almost immediately on the horizon: What is called for is an understanding about sound and language, but also about the preconditions of musical understanding. What is at stake is the question of language and sound, as well as expanding how we speak about sonic experience. This almanac tackles these questions from artistic, experimental and personal perspectives. An assemblage of nearly 70 practitioners and theoreticians, artists and scholars offer their favorite ‘sound word.’ These sound words are onomatopoetical, mythological, practical; words of personal importance to the artists and their craft; words from their memory, related to sound. Many entries are not in English – some are untranslatable – and all are accompanied by a personal, explanatory, poetic entry. These are words that have the potential to change our perspective on listening-musicking-thinking.
    04A - Beitrag Sammelband