Hochschule für Gestaltung und Kunst Basel FHNW
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Publikation MealSense: A fiction about datafication and algorithms in commoning food(Design Research Society, 06/2024) Bedö, ViktorCommoning is on the rise as a socio-economic practice advancing the outlook of more just food systems. While smaller commoning operations can predominantly rely on informal arrangements, tracking and monitoring the conditions of the use of resources becomes vital for larger operations. This paper explores the datafication of hunger, pleasure, ingredients, cooking and spoiled food for crafting imaginaries of commoning-based algorithmic food futures. To address not only frictions around datafication but also gainful proposals, the paper mobilizes concepts of ‘unwieldy data’, ‘good enough data’, and ‘minimal feasible datafication’. It uses fiction writing as a method to amalgamate scholarly references in the field of citizen sensing and smart city critique with preliminary learnings from a speculative city-making project into an infrastructural proposal. The text aims to prompt a wider debate about the potentials and pitfalls of algorithmic governance and datafication in infrastructures for the urban-scale distribution of material resources, such as food.05 - Forschungs- oder ArbeitsberichtPublikation Letter from the Editors: R3PAIR VOLUME(Continent, 2017) Allen, Jamie; Houston, Lara; Rosner, Daniela K; Jackson, Steven J.Like all collaborative endeavors, bringing together an edited collection is about fixing as much as gathering the insights and details (and yes, flaws and limits) of individually or jointly conceived pieces to bring about a larger conversational whole – a drawing forth, or drawing together, of scattered threads and pieces into something considerably messier than a quilt. All the more so when the collection is the result of a generative collaboration, bringing guest editors Lara Houston, Daniela K. Rosner, Steven J. Jackson in conversation with the continent. collective to present this special issue “R3pair Volume”. The conversation of course runs deeper and longer than the 17+ months of engagement among the contributors here. For the last 5, 10, 20 or 100 years (pick your starting point!), a motley and heterogeneous band of thinkers from Europe, North America, and the world have grown suspicious of the stories we tell about objects as stable and therefore rather settled things (whose drama, if any, inheres only at moments of design); and the way these stories render invisible a whole range of human relationships with and to objects that turn out to be central to sustaining the worlds around us, however provisional.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation On the Modes of Technical Extraction in Chile(Open Humanities Press, 2021) Allen, Jamie; Rossiter, Ned; Neilson, BrettThe diagram and essay On the Modes of Technical Extraction in Chile is a visual essay on the historical and contemporary extractive regimes affecting the southwest South American nation of Chile. It is a depiction arising from a collective research visit to the Valparaíso port systems, copper mines and communities of Chile for the Logistical Worlds project in March 2017. It attempts to draw out "how the long, narrow strip of land between the Andes and the Pacific Ocean that is Chile is continuing its long history of infrastructural-becoming."04A - Beitrag SammelbandPublikation The Art of Instituting(Intellect, 2019) Allen, Jamie; Garnicnig, Bernhard; Toft Ag, TanyaThe authors examine a digital dynamic within a networked sense of collectivity, and how this has influenced and enabled institutional experimental sites of thinking and production. They locate a tendency to organize oneself in collective groups as particularly evident in the Nordic context, reflecting a cultural history of ‘instituting’ (i.e. the formation of associations and unions) and today forming sites of hacker spaces, DIY technology groups, and artist-run project studios that hover between science, art and technology. These sites are necessary, the authors argue, as institutional forms to diversify responsibility across collectives, while simultaneously helping to equalize agencies, energies and temporal resilience, and exert post-capitalist influence.04A - Beitrag SammelbandPublikation Pandora's Signal Boxes(Continent, 2016) Mattern, ShannonIncluded here, dear reader, is a discussion that took place between media and design author and scholar Shannon Mattern and perennial continent. probationer Jamie Allen. The conversation occurred on a rather rainy and cold day, on a walk that Shannon and Jamie took through Basel, Switzerland, toward the Central Signal Box building. Shannon Mattern had come to Switzerland at Jamie’s invitation, as part of a lecture series called “Medialogue”, held jointly by the Critical Media Lab Basel and the Medienwissenschaft group at Universität Basel. The Signal Box is an infrastructural landmark that delimits a transition between residential and (formerly) industrial zones in Kanton Basel-Stadt. The building was designed by locals, stalwart innovators and ‘starchitects’ Herzog and Herzog & de Meuron, whose numerous offices and archives in Basel are all but a few minutes’ tram-ride away.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation The Overgrounds and Undergrounds of Pure and Applied Science: Cosmic Collisions and Industrial Collusion(Springer, 2018) Allen, JamieArcheology and geology are presumed to be "pure" knowledge practices, curiosity-driven investigations of the material histories of humankind and the Earth. Underwritten by Enlightenment techniques and tropes like clarity, organisation, cleanliness and illumination, there is in all the sciences a similar drive and imaginary toward a valuation of purity, against application, in all the sciences. These practices of observation, sampling, inscribing, analyzing and publishing are, of course, much more untidy than we sometimes imagine. What other sciences might be possible, were we more sensitive to the complicity of specific material practices as collusive affairs, amalgams of the pure and the applied, the clean and the messy, the ecological and the infrastructural, of light and shadow, of overground and underground?01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Critical Infrastructure: A Peer-Reviewed Journal About(01.06.2014) Allen, JamieThe essay and ideas included here is a discussion of the topics raised through CRITICAL INFRASTRUCTURE, an artistic research and production residency that took place as part of the lead up to the transmediale festival, afterglow, 2014. The project’s initiation was about uncovering the resources and reserves of physical and material energies, signals and data that scaffold the very possibility of post-digital art-and-technology practices. Through a series of public workshops, and an installation project situated within the transmediale 2014 festival, CRITICAL INFRASTRUCTURE’s ‘post-digitality’ is not only historical-temporal, but immediate, and dredged up from below, in the present. The artistic project stemming from research and public events through the project creates a media-archaeological site-survey, revealing data and depth of the present moment of an art and technology festival.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Accessing and Displaying the Archive(06/2022) Lurk, Tabea; Enge, JürgenThe presentation considers two types of accessibility: Whereas the first focuses on individualized access, presenting an info-screen system for the exhibition context, the second eases findability, accessibility, interoperability and reusability of museum’s collections through a FAIR-Service.06 - PräsentationPublikation Feminist Hackerspace as a Place of Infrastructure Production(University of Oregon Libraries, 04/2018) Savic, Selena; Wuschitz, StefanieWork in a (feminist) hackerspace relies on the circulation of knowledge and availability of hardware. In contemporary maker scene, the majority of these resources is created in male-dominated circles and handed over to female identified makers to act upon and appropriate. Attempts to reconcile the disbalance in gender participation with pink-colored microcontrollers only reinforced existing gender and cultural stereotypes. Instead of adding to the growing voice of critique of exclusionist and inclusionist practices, we take a critical stand towards feminist hacking practice itself: we look at what is produced by feminist hackerspaces. Using standpoint theory to analyze the experience of working with one particular self-organized group of feminist artists and developers, this paper looks at practice in feminist hackerspaces as a way to create and share essential infrastructure with female or transgender identified makers. We analyze patterns of mutual self-help through sharing and learning, and their role in creating feminist infrastructure.01A - Beitrag in wissenschaftlicher Zeitschrift