Hochschule für Gestaltung und Kunst Basel FHNW
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Publikation AI and Art. Arguments for Practice(transcript, 12/2023) Schubbach, Arno; Thiel, Sonja; Bernhardt, Johannes C.Recent advances in the computer generation of pictures using methods and programs from artificial intelligence research, or, more precisely, machine learning, have once again raised the question of whether computers can make art. Based on A. Michael Noll’s early experiments with computer art from the 1960s, I argue by contrast that even the latest tools cannot do without human work and can only be part of an artistic practice thanks to this work. Rather than asking whether machines can make art, we should therefore develop creative practices in which it is possible to leverage the potential of new techniques for design and art.04A - Beitrag SammelbandPublikation Infrastructural Intelligence. Contemporary Entanglements between neuroscience and AI(Elsevier, 2017) Bruder, JohannesIn this chapter, I reflect on contemporary entanglements between artificial intelligence and the neurosciences by tracing the development of Google's recent DeepMind algorithms back to their roots in neuroscientific studies of episodic memory and imagination. Google promotes a new form of “infrastructural intelligence,” which excels by constantly reassessing its cognitive architecture in exchange with a cloud of data that surrounds it, and exhibits putatively human capacities such as intuition. I argue that such (re)alignments of biological and artificial intelligence have been enabled by a paradigmatic infrastructuralization of the brain in contemporary neuroscience. This infrastructuralization is based in methodologies that epistemically liken the brain to complex systems of an entirely different scale (i.e., global logistics) and has given rise to diverse research efforts that target the neuronal infrastructures of higher cognitive functions such as empathy and creativity. What is at stake in this process is no less than the shape of brains to come and a revised understanding of the intelligent and creative social subject.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Where the Sun Never Shines. Emerging Paradigms of Post-Enlightened Cognition(Transcript, 25.10.2018) Bruder, JohannesIn this paper, I elaborate on deliberations of “post-enlightened cognition” between cognitive neuroscience, psychology and artificial intelligence research. I show how the design of machine learning algorithms is entangled with research on creativity and pathology in cognitive neuroscience and psychology through an interest in “episodic memory” and various forms of “spontaneous thought”. The most prominent forms of spontaneous thought - mind wandering and day dreaming - appear when the demands of the environment abate and have for a long time been stigmatized as signs of distraction or regarded as potentially pathological. Recent research in cognitive neuroscience, however, conceptualizes spontaneous thought as serving the purpose of, e. g., creative problem solving and hence invokes older discussions around the links between creativity and pathology. I discuss how attendant attempts at differentiating creative cognition from its pathological forms in contemporary psychology, cognitive neuroscience, and AI puts traditional understandings of rationality into question.01A - Beitrag in wissenschaftlicher ZeitschriftPublikation Cognitive Code. Post-Anthropocentric Intelligence and the Infrastructural Brain(McGill-Queen's University Press, 2019) Bruder, JohannesAs the second decade of the twenty-first century draws to a close, the cultural, social, and economic effects of artificial intelligence are becoming ever more apparent. Despite their long-intertwined histories, the fields of neuroscience and artificial intelligence research are notoriously divided. In Cognitive Code Johannes Bruder argues that seemingly incompatible scales of intelligence - the brain and the planet - are now intimately linked through neuroscience-inspired AI and computational cognitive neuroscience. Building on ethnographic fieldwork in brain imaging labs in the United Kingdom and Switzerland, alongside analyses of historical and contemporary literature, Cognitive Code examines how contemporary research on the brain makes routine use of engineering epistemologies and practices. Bruder elaborates on how the question of mimicking human cognition and thought on the scale of computer chips and circuits has gradually evolved into a comprehensive restructuring of the world through "smart" infrastructures. The brain, traditionally treated as a discrete object that thinks, is becoming part of the larger thinking network we now know as "the Cloud." The author traces a recent shift in the goals of brain imaging to show that the introduction of novel statistical and computational techniques has upset traditional paradigms and disentangled cognition from its biological substrate. Investigating understandings of intelligence from the micro to the macro, Cognitive Code explains how the future of human psychology is increasingly determined by engineering and design.02 - Monographie