Institut Kunst

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80 colour pencils
(edition fink, 2015) Ritzmann, Marion
Published as part of “Fortsetzung folgt” / 80 full-page illustration in colour, pad binding The artist’s pad “80 colour pencils” by Marion Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. The starting point for “80 colour pencils” is a box of eighty crayons in different colours and the concept of painting an A4 sheet of paper completely with each of them, resulting in eighty monochrome drawings. For the publication, these were facsimiled and glued into a pad as a colour fan. A bit-link on the cover page takes us to the corresponding entry on the artist's website, where we find further documentary visual material and a description of the work.
02 - Monographie
A public dialogue with John Akomfrah on his work
(02/2018) Martinez, Chus
06 - Präsentation
Actualizing Realism
(Dumont Verlag, 2010) Voss, Jeronimo; Stakemeier, Kerstin; Raether, Johannes Paul; Sehrt, Jessica [in: What is waiting out there]
Can art make disparate realities perceivable and prompt us to participate reflectively in them? That is the central question to be posed by the 6th Berlin Biennale for Contemporary Art. How can it aid the viewer in assuring him/herself of his/her existence and of the world, in feeling more present in this world? Does it have the means at its disposal which film or other media and art forms do not? How can it call attention to the gap between the pseudo reality postulated by the public and personal life reality, how can it criticize this gap, or raise an awareness of it? How can it convey strange and unfamiliar realities by means other than hermetically sealed narrative forms, and thus reflect this strangeness in our own reality? In the midst of the overwhelming abundance of visual imagery produced incessantly by our media, how can reality and a critical view of its underlying conditions even be created? And finally, how does this reality relate to the present and its “passion for the real”?
04B - Beitrag Konferenzschrift
An Inexhaustible Goodwill. From leaves to politics
(2018) Martinez, Chus [in: *Peace. Schirn Kunsthalle Frankfurt]
01B - Beitrag in Magazin oder Zeitung
Analog Chat I–III Sound Piece
(edition fink, 2019) Ritzmann, Marion
The artist’s record “Analog Chat I–III” by Marion Ritzmann is published as part of the series “Fortsetzung folgt” (to be continued), an open sequence of individual publications, which are connected and contextualized through the artist’s website as an integral part of the project. The 12" vinyl contains three new recordings made for this issue, which are based on a series of performances that were performed in Berlin, Basel and Biel in 2012. The equipment of the performance “Analog Chat” consists of a table, two chairs, two mechanical typewriters and a stack of A4 paper. The performance begins with Marion Ritzmann sitting down at one side of the table and waiting until someone from the audience sits down opposite her at the table and starts the dialogue. The rule of writing only one word per sheet of paper leads to the slowing down of communication in a real space. The written sheets of the analogue chats are later each bound into a book in the order in which they were created. Thus, three original books of the three Performances have been left, which now serve as the score for the present recordings. To continue the series of “Fortsetzung folgt”, the artist types the collected texts word by word on her laptop, using the internal microphone to record the resulting sounds of the keyboard. Three audio pieces have emerged, which oscillate between noise and rhythm and give an idea of the audience’s acoustic experience during the performances.
02 - Monographie
And still like Air, I will rise
(2018) Martinez, Chus [in: e-flux]
01 - Zeitschriftenartikel, Journalartikel oder Magazin
Archive des Ephemeren. Denken, Praktizieren, Vernetzen, Weiter machen
(Eigenverlag, 09/2019) Lurk, Tabea; Jaques, Olivia; Grau, Pascale; von Büren, Margarit; Wolf, Julia; Maly, Valerian
Unterstützt vom Bundesamt für Kultur, der Burgergemeinde, der Stadt und dem Kanton Bern, der Stiftung Corymbo, der H.E.M. Stiftung und der Scherbarth Stiftung, erhielt die Arbeitsgruppe Performative Archive (AG) des PANCH – Performance Art Network Schweiz im Herbst 2017 die Gelegenheit, im Zeitraum von ca. eineinhalb Jahren eine breite(re) gesellschaftliche Debatte zur Archivierung und Überlieferung der Performancekunst zu lancieren. Auf der Basis von fünf Denkpools (DP) wurden thematische Schwerpunkte mit Künstler*innen, Expert*innen aus unterschiedlichen kulturellen Bereichen sowie der interessierten Öffentlichkeit vertieft diskutiert. Wichtig war und ist der AG, die künstlerische Sicht auf das Archiv auf Augenhöhe mit theoretischen Ansätzen zu diskutieren und somit das Archiv von unten nach oben neu zu denken.
02 - Monographie
Artist Talk
(11/2018) Martinez, Chus
06 - Präsentation
Artists’ Studios in Berlin. Interview with Florian Schmidt
(Spector Books, 2015) Voss, Jeronimo; Sehrt, Jessica; Tattara, Martino; Aureli, Pier Vittorio; Stiehl, Martin; Florian, Schmidt; Hirsch, Nikolaus; Peleg, Hila; Kuehn, Wilfried; Fezer, Jesko; Hiller, Christian [in: Dogma + Realism Working Group: Communal Villa. Production and Reproduction in Artists’ Housing]
How can the housing question (Wohnungsfrage) be appropriately reformulated in an age in which the work / life distinction is becoming increasingly blurred? The Realism Working Group and the architecture firm Dogma – in consultation with Florian Schmidt, Studio Commissioner of the Kulturwerk bbk berlin – are developing new living and working spaces for artists that challenge traditional designs and their underlying economic frameworks.
04B - Beitrag Konferenzschrift
Aufzeichnen und Erinnern. Performance Chronik Basel ( 1987-2006)
(Diaphanes, 2016) Wilke, Alice; Mathis, Muda
Der zweite Band der »Performance Chronik Basel« setzt sich mit neu recherchiertem Ton-, Bild-, Text- und Video-Material von Performances aus den Jahren 1987 bis 2006 auseinander. Anhand dieser Materialsammlung sind Erinnerungstexte, Interviews und Reflexionstexte zahlreicher Autor_innen entstanden, die Themen wie Kollektives Arbeiten, Produktionsbedingungen, feministischer Aktivismus, Theater-, Musik- und Medientransfers sowie die Förderung, Lehre und Bedeutung von Performances im öffentlichen Raum diskutieren.
02 - Monographie
Ausstellungsprojekt mit 7 Studierenden aus dem Institut Kunst
(Hochschule für Gestaltung und Kunst FHNW, Institut Kunst, 2011) Gysi, Lara; Hostettler, Jan; Koch, Ariane; Lenz, Rahel; Madörin, Philipp; Reinau, Philippe; Wirz, Pedro
Anlässlich der Ausstellung vom 13. Mai - 09 Juli 2011 Kunstverein Duisburg
05 - Forschungs- oder Arbeitsbericht
Authentizität ohne Original? Betrachtungen zum Wandel des Werkbegriffs in der Konservierung und Restaurierung computerbasierter Kunstformen
(Scheidegger & Spiess, 2018) Lurk, Tabea; Fayet, Roger; Krähenbühl, Regula [in: Authentizität und Material. Konstellationen in der Kunst seit 1900]
04 - Beitrag Sammelband oder Konferenzschrift
Bachelor of Arts in Kunst
(Hochschule für Gestaltung und Kunst FHNW, Institut Kunst, 2013)
05 - Forschungs- oder Arbeitsbericht
Bachelor und Diplom 2008 - Institut Medienkunst
(Hochschule für Gestaltung und Kunst FHNW, 2008)
05 - Forschungs- oder Arbeitsbericht
Calder, Picasso: Two Masters in Dialogue
(Museo Picasso, 06/2019) Martinez, Chus; S.C. Rower, Alexander; Ruiz-Picasso, Bernard; Le Bon, Laurent; Garnier, Claire; Philippot, Emilia
03 - Sammelband
Claudia Compte
(06/2018) Martinez, Chus [in: Koenig Magazine]
01 - Zeitschriftenartikel, Journalartikel oder Magazin
Club Univers
(Sternberg Press, 2016) Martinez, Chus
This book is the result of ongoing research into historical and current artistic practices that explore new paradigms of experience. It is the first volume in a series of books that focuses on what is happening both inside and outside of the art institute.
02 - Monographie
Conversion
(Synnika, 2020) Voss, Jeronimo [in: Synnika Space]
In urban planning Conversion means the transformation of buildings and areas, in IT: the change of a data format, in the armaments industry: the shift towards civilian production. In March 2020, employees of General Electric walked out against their company, demanding to switch its aircraft engine facilities to the production of medical fans, instead of firing the employees as planned. Similar developments were visible around the globe in the following weeks and months. Demands for conversion are increasing in all areas of life.
10 - Elektronische-/ Webpublikation
Cross-Fading the Milky Way - Artist Jeronimo Voss interviewed by Prof. Johan Hartle
(Amsterdam University Press, 2019) Voss, Jeronimo; Hartle, Johan; Tai, Chaokang; van der Steen, Bart; van Dongen, Jeroen [in: Anton Pannekoek: Ways of viewing Science and Society]
Anton Pannekoek (1873-1960), prominent astronomer and world-renowned socialist theorist, stood at the nexus of the revolutions in politics, science and the arts of the early twentieth century. His astronomy was uniquely visual and highly innovative, while his politics were radical. Anton Pannekoek: Ways of Viewing Science and Society collects essays on Pannekoek and his contemporaries at the crossroads of political history, the history of science and art history.
04B - Beitrag Konferenzschrift
Das Master Programm - The master’s program
(Hochschule für Gestaltung und Kunst FHNW, Institut Kunst, 2015)
05 - Forschungs- oder Arbeitsbericht

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